| Volume XXXIIII Number 2 | Fall 2024 |
| Editors | Crystal Mackenzie and Micheline Maylor |
| Cover | Fallen Feather II by Huibo Hoo |
| Poetry Winners | |
| Tonya Lailey | Bat Love Love on the Rocks |
| Mike Sluchinski | Lake Winnipeg |
| David Yerex Williamson | Blue |
| Jennifer Gossoo | Nôhkom |
| Laura Zacharin | This is How the Story Ends |
| Prose Winners | |
| Blaine Newton | A Fall’s Reflection |
| Trent Lewin | The Arms of Village Vestigial |
| Julie Trimingham | This is our Serenity |
| Micheline Maylor Prize for Poetic Excellence | |
| Elle Nyitrai | Old Wives’ Tales |
| Lynn C. Fraser Memorial Award | |
| Peter Hankins | Posterity of the Mad Duke |
| Poetry | |
| Mary Vlooswyk | Hello Darkness My Old Friend |
| Mike Madill | Adrift Driftwood |
| Dan MacIsaac | Banjo |
| Eva Tihanyi | Anniversary |
| Jennifer Gossoo | Mother Animal |
| Stuart Ian Mckay | An Owl’s Wing Shapes Your Sunlit Sunday Chaos and Indecision Bring Forth a New Variety of Flower |
| Callista Markotich | Moose Hunger in Atlantic Time Black & Blue |
| Maureen Scott Harris | Summoned |
| Keith Garebian | Congenital Stranger Half and Half |
| David Yerex Williamson | Kiskisotowin Awasisak |
| David Martin | Target Practice |
| Bert Almon | The Molyneux Globe |
| Mike Sluchinski | When a Uniform Sheds a Tear |
| Essay | |
| Tanis MacDonald | Performance Studies: a Geek History |
| In Conversation | |
| Joshua Pantalleresco | Interview with Dwayne Clayden |
| Reviews | |
| Catherine Owen | Jesus is a Voyeur by Bret Crowle |
| Mary Vlooswyk | The Oneironaut 01 by Sheri-D Wilson |
| Frances Boyle | Blood Belies by Ellen Chang-Richardson |
| Megan Nega | Take the Compass by Maureen Hynes |