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	<title>John Wall Barger Archives | FreeFall Magazine</title>
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	<title>John Wall Barger Archives | FreeFall Magazine</title>
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		<title>Review of John Wall Barger&#8217;s &#8220;Resurrection Fail&#8221;</title>
		<link>https://freefallmagazine.ca/review-of-john-wall-bargers-resurrection-fail/</link>
		
		<dc:creator><![CDATA[FreeFall Editor]]></dc:creator>
		<pubDate>Sun, 04 Dec 2022 18:00:13 +0000</pubDate>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Reviews - Poetry]]></category>
		<category><![CDATA[Bret Crowle]]></category>
		<category><![CDATA[John Wall Barger]]></category>
		<category><![CDATA[Resurrection Fail]]></category>
		<guid isPermaLink="false">https://freefallmagazine.ca/?p=3889</guid>

					<description><![CDATA[<p>by Bret Crowle Resurrection Fail by John Wall Barger Spuyten Duyvil (2021) Resurrection Fail begins with the disciplined and passionate detailing of personal experiences our author, John Wall Barger, but&#8230;</p>
<p>The post <a href="https://freefallmagazine.ca/review-of-john-wall-bargers-resurrection-fail/">Review of John Wall Barger&#8217;s &#8220;Resurrection Fail&#8221;</a> appeared first on <a href="https://freefallmagazine.ca">FreeFall Magazine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>by Bret Crowle<img fetchpriority="high" decoding="async" class=" wp-image-3891 alignright" src="https://freefallmagazine.ca/wp-content/uploads/2022/11/Screen-Shot-2022-11-30-at-10.58.01-PM-202x300.png" alt="" width="222" height="329" srcset="https://freefallmagazine.ca/wp-content/uploads/2022/11/Screen-Shot-2022-11-30-at-10.58.01-PM-202x300.png 202w, https://freefallmagazine.ca/wp-content/uploads/2022/11/Screen-Shot-2022-11-30-at-10.58.01-PM-690x1024.png 690w, https://freefallmagazine.ca/wp-content/uploads/2022/11/Screen-Shot-2022-11-30-at-10.58.01-PM-768x1140.png 768w, https://freefallmagazine.ca/wp-content/uploads/2022/11/Screen-Shot-2022-11-30-at-10.58.01-PM.png 838w" sizes="(max-width: 222px) 100vw, 222px" /></p>
<p><strong>Resurrection Fail</strong><br />
<strong>by John Wall Barger</strong><br />
<a href="https://www.spuytenduyvil.net/resurrection-fail.html">Spuyten Duyvil</a> (2021)</p>
<p>Resurrection Fail begins with the disciplined and passionate detailing of personal experiences our author, John Wall Barger, but like a swinging pendulum, readers are thrusted into a surreal exploration of their own human experience. We are taken on a metaphoric journey through existentialism and the consequences of living, all whilst travelling hand-in-hand with Barger.</p>
<p>Readers are transported through an exploration of, not only the author’s world, but also their own. Masterful in craft, the collection is broken into four sections by utilizing four individual pieces titled Resurrection Fail. These pieces act as guiding points and pillars throughout the whole collection – bringing forth and conveying a variety of anecdotal truths.</p>
<p>The author teaches the reader that the surreal and seemingly impossible often twists and melds into the inevitable and anticipatory. Enthusiasm in the examination of the now leaches from the page, but the progression of the collection swings us to a place in which past meets present, as is presented in Resurrection Fail:</p>
<blockquote><p>Like the anatomy student<br />
I once met<br />
who slid the sheet<br />
off a corpse<br />
and there was<br />
his childhood crush. (76)</p></blockquote>
<p>Barger’s impeccable ability to fuse word with emotion brings out intricate intimacy, threaded throughout the collection. We are entirely at the mercy of the author as we navigate a plethora of facets of the human experience: loss, death, suicide, pleasure, reconnection. Time and time again, we are reminded that beauty cannot exist without bleeding brutality, as represented in Resurrection Fail:</p>
<blockquote><p>… so I saw her again<br />
with all her faces at once<br />
like a village,<br />
the villagers walking out<br />
to the night forest<br />
bearing the beloved in their arms<br />
the one who would die that night. (57)</p></blockquote>
<p>By posing commentary on topics that have the potential to be universally understood, Barger gives readers the opportunity to engage on both a collective and individualized journey. This is perfectly displayed in Resurrection Fail, which prompts the reader to think about the colour of the moon, their knowledge of the moon, and what they believed to be true, all while then connecting this realization back to a time over the barracks of Birkenau:</p>
<blockquote><p>… Moon<br />
can mean sorrow:<br />
as in, I read how the dark<br />
side of the moon<br />
is actually turquoise<br />
which glows like ice<br />
over the barracks<br />
of Birkenau. (39)</p></blockquote>
<p>And, perhaps Barger is correct in implying that we, the readers, are filled with only the most falsified calcification of hope, that our gullibility and amateurism is inevitable in living and only found in death. With that, we are left with our final pillar of Resurrection Fail, which opens the collection with a bittersweet and masterful note:</p>
<blockquote><p>Is it a<em> joke</em> to yoke us<br />
one to another<br />
with love<br />
just to yank us apart,<br />
like parodies of the sacred? (13)</p></blockquote>
<p>The post <a href="https://freefallmagazine.ca/review-of-john-wall-bargers-resurrection-fail/">Review of John Wall Barger&#8217;s &#8220;Resurrection Fail&#8221;</a> appeared first on <a href="https://freefallmagazine.ca">FreeFall Magazine</a>.</p>
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